Beetles, butterflies and other assorted creatures are Akihiro Higushi’s visual tools. Using watercolours and oils, he beautifies his bugs with intricate patterns inspired by traditional Japanese lacquerwork or even modern-day cartoon characters. Meerkats, beavers and monkeys are dressed in colourful knitted sweaters, while wooden figures of traditional deities receive Transformer-like robot arms.
Born in Tokyo, Higuchi trained in sculpture at Zoukei University before completing an MFA at Tokyo University of the Arts; he then moved to Stuttgart, Germany, where he studied atStaatliche Akademie der Bildenden Künste. Now based in Tokyo, the artist creates his insect and animal figures using urethane foam, then decorates them with precision brushwork and incisive wit. Stag beetles, for example, bear ancient Samurai clan coats of arms, and butterflies open their wings to reveal seductive pin-up girls.
These visual puns recall the Japanese tradition of mitate-eor “parody prints,” which make comic allusions to classical works or historical eventsusing unexpected visual combinations. Higuchi’s apparent use of animals as canvases raises questions about our relationship with nature; the artists speaks of our tendency to humanise animals, while at the same time using or exploiting them.
Since his first individual presentation in 1998, Higuchi has held over a dozen solo exhibitions, including in Tokyo, Paris and Cologne. His artwork has also appeared in numerous group shows, notably “JAPAnCOnGO: Carsten Hollers double-take on Jean Pigozzis collection Le Magasin”(2011) at theCentre national dArt Contempora Grenoble, France;Garage Center for Contemporary Culture,Moscow, Russia; and th Civico Museo d’Arte Contemporanea, Milan, Italy.